Just personally think. .. For reference, please refer to it. Suddenly 1. It must be like designing. 2. There must be some creative inspiration. 3. You must have professional knowledge. Professional cultivation. 4. Go to the world to enjoy some different styles of jewelry, because each place. The country has different tastes. breath. 5. The design of jewelery cannot only take profit. Sales. Pay attention to connotation. Or feel good for buyers. .. 6. Jewelry is not necessarily limited to jewelry. You can also consider other designs. for example. clothing. 7. Paris. London. Milan and so on. To absorb the essence, it is not necessary to go to which school.
I remember athlete saying that if you spend too much time warm up, you will miss the good opportunity; if you do not warm up, you will not be able to complete the entire game.
This is quite reasonable. As a commercial jewelry designer, it is difficult to design good works without preparation before design. , as a commercial designer, it is inevitable that the designed works are traded as a product. The designs of the industry must create more surplus value for the enterprise. Otherwise, the design is meaningless to the enterprise, and there is no need to exist in this industry. As a commercial designer, it does not rule out that some of them are very individual and show the design works of personal talents, but this is not the main, but the secondary work of design should be carried out. There must be certain restrictions in the number. Just like the "painters" of Dafen Oil Painting Village, they did not work to create a "Sunflower", but with Van Gogh's "Sunflower" to copy a thousand, or even 10,000. You can't draw works as you want. This is called commercial designer. To a large extent, the production of the work is derived from the needs of the market, and it is derived from whether the production process can generate the surplus value. If a work, it looks quite quite quite quite quite quite quite quite quite quite quite Beautiful, but there are too many dead corners, the production is difficult, the cost is high, the products produced can not be bought, and even run counter to the customer's requirements. Then this work can be said to be a unsuccessful or even failed design work. For enterprises In terms of, it doesn't make much sense. So as a commercial designer, the first problem to solve is the market requirements? What is the customer's request? This is "warm -up". If you don't do this "warm -up" job, the results of the occurrence are often different. If the guest needs a single large drill jewelry, but the result is designed with a multi -diamond jewelry, it must not work. Therefore, designers must depend on the customer's requirements for product. From another perspective, if the designer believes that the customer's aesthetics has certain limitations, the designer must also communicate with the customer and let the customer accept the aesthetic of the designer, otherwise, it must be designed according to the customer's opinion. Secondly, designers must understand what the market is popular and what will be popular? As a designer leading the trend, a large number of investigations must be conducted, and a clear understanding of the market must be clearly understood. Therefore, designers must do a good job of market research and market information feedback. Third, designers need to consider the production possibility of designing works and production costs. It has been said just now that if the designed works are difficult and cost -effective, and this cost market is unacceptable, it is also very troublesome. Finally, jewelry design also pays attention to seasonality. In summer, there will be more necklaces and the like, and the market demand for rings will be greater in winter. Therefore, in spring, we design products that are good in summer. Products, otherwise they will be inconsistent with the market. above, it can be called the reasonableness of design. The designer, the reason why it is called a designer, an important meaning is innovation. This is still different from the "painters" of Dafen Village just mentioned. The painting paintings are exactly the same as the draft. As an example, it is commercialized. This example is not suitable for innovation. Because those painting, in strict sense, cannot be called a painter, but can only be regarded as a painter. As a commercial designer, you should play creative thinking ability on the premise of meeting the needs of customers and market demand, and try to create novel works that can attract eye -catching and shock the customer's mind. The design requires new, different, change, and different, otherwise the design will not be called design. On how can I continue to draw new and good works? The designer often has a kind of mental retardation -the product can not be like this at all. In this way, the product that designs the industry will definitely exist. Go around, don't draw anymore, don't pay attention to details anymore. The designer should break the inherent thinking. Don't think it is impossible. In the designer’s thinking, everything is possible. The concept of the cup, abandon all the original ideas, and then re -inject the ideas and thinking. To remove the vision, listen to opinions, and have jumping thinking.从心理学的角度分析，人的左脑进行的逻辑性思维，右脑进行的创造性思维，所以设计师要经常有意识地开发自己的右脑，多使用左手、左脚，作些小动作、一些小Games, such as playing with your left hand, eating with your left hand, etc.; you can read more poems, prose, because this type of style creative thinking is creative thinking, especially poetry. The previous sentence is a pedestrian on the ground. Flying bird. The designer must not ignore his right -brain creative thinking ability. For example, in the United States, a student of a student brought the school to court, because the school killed the child's creative thinking ability. In a apple, you can think of the sun, you can think of a smile, and you can think of a lot of things, but after school, you can only think of Apple after seeing Apple. Finally, the school lost the lawsuit. From this, it can deepen the understanding of creative thinking. The designer must also master various design elements and constantly accumulate their own design materials. The so -called inspiration is not to be out of accumulation, but because of the accumulation, it must have a lot of things in the mind, and then at the moment of need, then all kinds of ideas will jump out. The quality of jewelry designers not only do articles in jewelry itself, but also continuously improves their aesthetic literacy. The design of jewelery works must be a pleasing work, otherwise it is difficult to impress the hearts of consumers. The beauty of the work must meet people's aesthetic psychology. Symmetry, rhythm, balance, rhythm, body, color, material, craftsmanship ... All the aesthetic laws we can think of can find the corresponding application in the design. Is for various styles, such as simplicity, symbolism, modernism, postmodernism, etc., are not included in this theme, and have the opportunity to talk about it. The last summary. As a designer, the preparation before the design comes from two aspects, on the one hand, it is its own cultivation and skill, and on the other hand, the market needs. Only by doing all the preparations of these two aspects can the design process be more at ease, and I think about it.
The best way is to be admitted to the jewelry design major of China University of Geological University. The strength of this major is among the best in the country.
Just personally think. .. For reference, please refer to it. Suddenly
1. It must be like designing.
2. There must be some creative inspiration.
3. You must have professional knowledge. Professional cultivation.
4. Go to the world to enjoy some different styles of jewelry, because each place. The country has different tastes. breath.
5. The design of jewelery cannot only take profit. Sales. Pay attention to connotation. Or feel good for buyers. ..
6. Jewelry is not necessarily limited to jewelry. You can also consider other designs. for example. clothing.
7. Paris. London. Milan and so on. To absorb the essence, it is not necessary to go to which school.
I remember athlete saying that if you spend too much time warm up, you will miss the good opportunity; if you do not warm up, you will not be able to complete the entire game.
This is quite reasonable. As a commercial jewelry designer, it is difficult to design good works without preparation before design.
, as a commercial designer, it is inevitable that the designed works are traded as a product. The designs of the industry must create more surplus value for the enterprise. Otherwise, the design is meaningless to the enterprise, and there is no need to exist in this industry. As a commercial designer, it does not rule out that some of them are very individual and show the design works of personal talents, but this is not the main, but the secondary work of design should be carried out. There must be certain restrictions in the number. Just like the "painters" of Dafen Oil Painting Village, they did not work to create a "Sunflower", but with Van Gogh's "Sunflower" to copy a thousand, or even 10,000. You can't draw works as you want. This is called commercial designer. To a large extent, the production of the work is derived from the needs of the market, and it is derived from whether the production process can generate the surplus value. If a work, it looks quite quite quite quite quite quite quite quite quite quite quite Beautiful, but there are too many dead corners, the production is difficult, the cost is high, the products produced can not be bought, and even run counter to the customer's requirements. Then this work can be said to be a unsuccessful or even failed design work. For enterprises In terms of, it doesn't make much sense.
So as a commercial designer, the first problem to solve is the market requirements? What is the customer's request? This is "warm -up". If you don't do this "warm -up" job, the results of the occurrence are often different. If the guest needs a single large drill jewelry, but the result is designed with a multi -diamond jewelry, it must not work. Therefore, designers must depend on the customer's requirements for product. From another perspective, if the designer believes that the customer's aesthetics has certain limitations, the designer must also communicate with the customer and let the customer accept the aesthetic of the designer, otherwise, it must be designed according to the customer's opinion. Secondly, designers must understand what the market is popular and what will be popular? As a designer leading the trend, a large number of investigations must be conducted, and a clear understanding of the market must be clearly understood. Therefore, designers must do a good job of market research and market information feedback. Third, designers need to consider the production possibility of designing works and production costs. It has been said just now that if the designed works are difficult and cost -effective, and this cost market is unacceptable, it is also very troublesome. Finally, jewelry design also pays attention to seasonality. In summer, there will be more necklaces and the like, and the market demand for rings will be greater in winter. Therefore, in spring, we design products that are good in summer. Products, otherwise they will be inconsistent with the market.
above, it can be called the reasonableness of design.
The designer, the reason why it is called a designer, an important meaning is innovation. This is still different from the "painters" of Dafen Village just mentioned. The painting paintings are exactly the same as the draft. As an example, it is commercialized. This example is not suitable for innovation. Because those painting, in strict sense, cannot be called a painter, but can only be regarded as a painter. As a commercial designer, you should play creative thinking ability on the premise of meeting the needs of customers and market demand, and try to create novel works that can attract eye -catching and shock the customer's mind. The design requires new, different, change, and different, otherwise the design will not be called design.
On how can I continue to draw new and good works?
The designer often has a kind of mental retardation -the product can not be like this at all. In this way, the product that designs the industry will definitely exist. Go around, don't draw anymore, don't pay attention to details anymore.
The designer should break the inherent thinking. Don't think it is impossible. In the designer’s thinking, everything is possible. The concept of the cup, abandon all the original ideas, and then re -inject the ideas and thinking. To remove the vision, listen to opinions, and have jumping thinking.从心理学的角度分析，人的左脑进行的逻辑性思维，右脑进行的创造性思维，所以设计师要经常有意识地开发自己的右脑，多使用左手、左脚，作些小动作、一些小Games, such as playing with your left hand, eating with your left hand, etc.; you can read more poems, prose, because this type of style creative thinking is creative thinking, especially poetry. The previous sentence is a pedestrian on the ground. Flying bird.
The designer must not ignore his right -brain creative thinking ability. For example, in the United States, a student of a student brought the school to court, because the school killed the child's creative thinking ability. In a apple, you can think of the sun, you can think of a smile, and you can think of a lot of things, but after school, you can only think of Apple after seeing Apple. Finally, the school lost the lawsuit. From this, it can deepen the understanding of creative thinking.
The designer must also master various design elements and constantly accumulate their own design materials. The so -called inspiration is not to be out of accumulation, but because of the accumulation, it must have a lot of things in the mind, and then at the moment of need, then all kinds of ideas will jump out. The quality of jewelry designers not only do articles in jewelry itself, but also continuously improves their aesthetic literacy.
The design of jewelery works must be a pleasing work, otherwise it is difficult to impress the hearts of consumers. The beauty of the work must meet people's aesthetic psychology. Symmetry, rhythm, balance, rhythm, body, color, material, craftsmanship ... All the aesthetic laws we can think of can find the corresponding application in the design.
Is for various styles, such as simplicity, symbolism, modernism, postmodernism, etc., are not included in this theme, and have the opportunity to talk about it.
The last summary. As a designer, the preparation before the design comes from two aspects, on the one hand, it is its own cultivation and skill, and on the other hand, the market needs. Only by doing all the preparations of these two aspects can the design process be more at ease, and I think about it.
The best way is to be admitted to the jewelry design major of China University of Geological University. The strength of this major is among the best in the country.
Ask the famous teacher!